AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |
Back to Blog
Muscle shoals recording studio1/21/2024 ![]() Before that, we were throwing in R&B licks. “By the time of “Katmandu” he was getting the point across about what kind of records he wanted to make. “He’s a real nice guy but he’s not going to make it big,” was David Hood’s first impression. His association with the ‘Bama boys stretches back to 1972, and the Detroit rocker recorded many of his top hits in Muscle Shoals, including “Mainstreet,” “Old Time Rock & Roll,” “We’ve Got Tonight” and “Katmandu.” If Paul Simon seemed a bit intellectually aloof, Bob Seger connected on a gut level. “He made us so paranoid that we were afraid to play,” laments Hood. ![]() Simon reverted to total control mode, and progress on the tracks slowed to a crawl. Those sessions also produced “Kodachrome” and “Loves Me Like a Rock.” But when he invited the rhythm section to come to New York for “Still Crazy After All These Years,” the magic dissolved. “That’s why we got co-production credits.” “He started playing some other songs, we told him which ones we liked, and we cut them,” Hawkins continues. Then he called us, planning to come down for just one tune, ‘Take Me to the Mardi Gras.’ Well, we knocked that out in two takes, and he was just amazed. Recalls Hawkins, “He had heard ‘I’ll Take You There’ by the Staples, and thinking it was Jamaican backing, he called Stax to find out where it was done. “This wasn’t his usual style of recording, where he gets to call all the shots.” ![]() “When he come down here to our turf, we jumped right in and knocked his hat in the creek,” says Johnson. When Paul Simon ventured into Muscle Shoals, he had four seasoned pickers ready to pounce on him. Despite the frenetic pace of the Traffic tours, the experience helped Hood and Hawkins hone their chops for their next superstar sessions.
0 Comments
Read More
Leave a Reply. |